A great theater experience allows us to see our human selves reflected back—in a way that moves, informs and enables us to relate to the realities of the lives of others.
When I was 17, my father threw me out because I had stayed out all night. Shortly thereafter, I got pregnant out of wedlock and contemplated suicide. I remember despondently standing in front of a bathroom mirror, ready to slit my wrists, and suddenly saying out loud to my reflection, “If it’s that bad, it can only get better.”
And it did.
Those feelings were overwhelmingly brought back when I attended the Coachella Valley Repertory Theatre production of Push, written by George Cameron Grant, and directed by Cathedral City resident Jeanette Knight. The play was this season’s Youth Outreach Production. I first experienced this CV Rep program last year, when the focus was on female bullying.
The theater buses in students from throughout the area to see a one-act play about issues to which they can personally relate. After the production, the audience discusses the play’s themes with the actors and the director, to explore their own reactions and experiences. It’s more than a learning experience: For some students, it’s the first time they have attended dramatic theater and realized its ability to impact an audience.
Push revolves around a young man who comes out as gay to his parents and faces immediate rejection by his stern father. After the boy is thrown out, he subsequently suffers another rejection—by the boy he has fallen in love with—and commits suicide by jumping in front of an oncoming subway train. The play follows the anguish suffered by his sister, who runs away from home and is discovered at the same train station, contemplating ending her own life. As she struggles with her own feelings, she questions whether her brother made a choice, or whether he was “pushed” by others to feel he had no other options.
The performers in Push were almost all students, some of whom have never acted before. Their ability to inhabit the roles and then discuss with the audience the impact of those roles as it relates to their own lives and experiences was not only educational, but also very moving.
Ron Celona, the founding artistic director of CV Rep, participated in the after-play discussion. He noted that the 1,400-plus students who had seen Push were not so focused in the after-play discussions on the bullying and rejection of the boy’s sexuality; instead, their focus was on the suicide, an issue they and their friends had already encountered, either personally or through troubled acquaintances.
Jeanette Knight, originally from Michigan, has been in the desert since 1997.
“My mother dragged me to dance classes, and I now thank her every day for it,” she says. “I stayed with dance, and that’s how I got into acting.”
Knight began doing musical theater, and “I fell in love with the whole theater crowd.” She completed a degree in theater at UNLV, but says, “I’ve learned so much more from doing it outside of college.”
Knight’s local experience includes working at McCallum Theater as the education program manager, running the Beaumont Actors Studio, teaching acting and improvisation at the Idyllwild Arts Academy, and teaching classes in improv at CV Rep. “I’ve learned so much about acting by teaching it,” she says.
When Ron Celona approached Knight about directing Push, she jumped at the chance. “I really like doing this kind of theater,” she says. “We can’t sweep these issues under the carpet. The kids who come to see these shows are our future.”
There are two local efforts devoted to assisting young people who feel unsafe or who are aware of someone else who feels threatened or hopeless: Sprigeo is an anonymous reporting and investigation service to deal with bullying, harassment or intimidation in or out of school, with which the Palm Springs Unified School District is affiliated. SafeHouse of the Desert helps teens in crisis; those who feel threatened can go to any Sunline bus stop or McDonald’s and get free transportation to SafeHouse.
My parents finally allowed me to return home, but only if I gave my child up for adoption. In those days, there was no real way a teenage unwed mother could make it, so I lived with the hope that my son had indeed been able to live a better life than I could have given him. My first-born son and I were happily reunited after over 40 years. He is a gay man.
At the end of Push, when the sister decides her life is worth living, and her father apologizes for having rejected his son and contributing to his death, I was overcome with tears. All I could think was: I am so thankful that something inside of me knew it would get better, and that my son was adopted into a family where he was loved and accepted.
CV Rep is truly making a difference. In Jeanette Knight’s words: “It’s rewarding to have a hand in art not just for art’s sake, but to be a part of theater that can help make the world a better place.”
Reprinted from CV Independent, Palm Springs CA.